Question Statement :

Cheapness and its cinematic markers, such as hand-held camera work and low or high-contrast light, aren’t themselves guarantors of a tone of artistic authenticity. In fact, they’re often misused by filmmakers short of inspiration as badges of sincerity that take the place of actual artistry. The theatrical realism of many older, ostensibly classic movies have dated terribly and reflect the very exclusions and compromises of the system that produced them. Only the ingenious exertions and inventions of a slender minority of great filmmakers could circumvent and override them. Yet, critics fetishize the styles of studio-era movies and take them for an enduring and immutable aesthetic standard – as if, with an appreciation of Shakespeare came a comparable fixation on lesser Elizabethans and a disdain for latter-day dramatists for not writing in iambic pentameter.